Burj Azizi Launch Event 2025, The Reveal
Original composition, sound design, VO, mix
For event agencies and brandsFor event agencies, brands and developers in the GCC
Bespoke music for events and brands
that refuse to sound like stock
If your launch is weeks away and your soundtrack is still a library track, here is the alternative; Composed, tailored music for your brand, mixed in a Dolby Atmos certified studio, delivered licensed for commercial use before your show date.
What we handle for you
We compose original music for launches, shows, films and campaigns, built from your brief.
We create immersive experiences for your visuals with intricate sound design and Foley work that brings your visuals to life.
We cast and record voice over in English and Arabic, with ADR and dubbing handled in-house.
We mix and master in a Dolby Atmos certified room, in stereo, 5.1 or Atmos.
Sound samples
Burj Azizi Launch, The Reveal
Original composition, 2025
Abu Dhabi Airports
Sonic branding, sonic logo and track
Bugatti Residences by Binghatti
Launch event composition, 2023
268M+
streams across platforms
271M+
views on client work
2x
ProMax Arabia Gold awards
BinghattiVOX Cinemas
DAMACDu
EmaarFAB
Sobha RealtyZayed National Museum
AdidasPanasonic
HSBCTasjeelVOX CinemasDuFABZayed National MuseumPanasonicTasjeel where Sound and Music matter.
Award-Winning
Studio
The facility behind the sound
Two recording studios, a composing suite and three live rooms in Al Quoz, built around a Dolby Atmos certified mix room.
The engineers here have hundreds of millions of streams behind them from their work with legendary and regional artists, with an extensive portfolio for international brands like Amazon MGM, Netflix and Rockstar Games. That is the ear your soundtrack gets.
- Dolby Atmos certified and designed studio
- Apple Digital Masters certified
- 3 x ProMax Arabia Gold awards for sound design
- First in the region: Dolby MME Silver Plaque
Start here
Tell us about your project
1 of 6
Work that carried real launches
Bugatti Residences by Binghatti, Launch 2023
Original composition, sound design, VO, mix
Abu Dhabi Airports, Sonic Branding
Sonic logo and track, sound design, VO, mix
MNK x VOX, Bad Boys Teaser
5.1 surround mix, sound design, foley
Nancy Ajram, Yalla
Sound design, re-mastering
Kadim Al Sahir, Eid Alhob
Recording, mastering
Music built for commercial use
Composed only for your brand
Your track starts from a blank session and your brief. Nobody else will ever run it under their ad.
Licensed for commercial use
Broadcast, event and digital usage cleared in writing. No library terms, no takedown surprises.
Scoped backwards from your date
The show date does not move, so we plan composition, revisions and the final mix around it.
Voice over and dubbing in-house
Casting, recording, ADR and dubbing in English and Arabic, in the same rooms as your mix.
UAE, Saudi and Qatar
Briefs run remotely when needed. Work delivered for Dubai, Abu Dhabi, AlUla and Qatar.
Does this sound like your last production?
The track everyone has heard
You found a decent library track, cleared the fee, and then heard it under someone else's ad a month later.
Audio that arrives late
The show date is fixed. The venue is fixed. And the music is still not final in the last week of rehearsals.
Looked expensive, felt flat
LED walls, staging, lighting, architecture. Millions on the build, and guests leave saying "nice event" instead of "that was unbelievable". Bad audio cheapens expensive production.
Licensing nobody wants to own
Who cleared that track for broadcast, and until when? Usually nobody knows, right up until it becomes a problem.
Why bespoke beats the library
Stock music belongs to everyone
That library track under your launch film is under someone else's campaign too. Your audience has heard it, and it says nothing about your brand.
The music carries the moment
Brands spend hundreds of thousands on the build, the screens and the show, then play a track that cost less than the catering. Sound is the cheapest upgrade to your most expensive moment.
Licensing that holds up
Commercial use needs a clean license. Bespoke music comes with one, in writing, scoped to exactly how you will use it.
What changes with MNK Studios
01
The room reacts when the screen does
The score is composed to your show's beats, so the reveal, the drop and the applause land exactly where you planned them.
02
Your film sounds as expensive as it looks
Engineers with hundreds of millions of streams behind them handle the mix, so the sound matches the budget on screen.
03
One supplier from brief to master
Composition, sound design, voice over and the final mix happen under one roof, delivered with the license in writing.
A library track vs a track that is yours
A library track is a compromise. It was composed for nobody in particular, licensed to anyone who pays, and it retires the moment a bigger brand runs it louder. A bespoke track is built on your brief, your brand and your show. It opens your events, runs under your films, and nobody else can touch it.
Hear the difference on my briefFrom brief to licensed master
Send the brief
The occasion, the date, references you like, and what the moment needs to feel like. We come back with a direction and a clear quote.
30 minutes
Hear the first cut
We compose against your visuals and play it to you. You direct, we refine, until the room reacts the way you pictured it.
within days
Receive the licensed master
Final mix in stereo, 5.1 or Dolby Atmos, license in writing, delivered before your show date. We attend site visits and rehearsals so the mix translates from studio to venue.
on your date
Why event teams book MNK
A library track
Licensed to anyone who pays
- Your audience has already heard it
- Says nothing about your brand
- Usage terms buried in fine print
- Retires when a bigger brand runs it
Freelancer patchwork
Composer here, mix there, VO somewhere
- Three suppliers to chase before the show
- Nobody owns the deadline
- Mix quality depends on who was free
- Licensing left for you to untangle
Recommended
MNK Studios
One team, brief to licensed master
- Composed only for your brand
- One team owns your show date
- Dolby Atmos certified rooms and engineers
- Commercial license in writing
The studio big brands and A-list artists book
Over 40 commercial projects for Binghatti, Azizi, DAMAC, Emaar, Sobha Realty, Adidas, HSBC, Etisalat, Netflix and VOX. Kadim Al Sahir, Atif Aslam, Maher Zain and Nancy Ajram record here. The same engineers sit on your session.
4.8
★
on Google, 111 reviews
40+
commercial projects delivered
624K
Shazams on studio work
Why MNK exists
The MNK team
MNK Studios, Dubai
Built by engineers, not account managers
Built by working audio engineers who were tired of good productions shipping with lazy sound. The founding belief is simple: sound and music matter, and it is not a slogan.
When your launch plays in front of a thousand guests, that obsession is what you hear.
- Founded by a mastering engineer with hundreds of millions of streams
- Sessions from regional legends to international A-listers
- One team from brief to licensed master
What event and brand teams ask first
How fast can you deliver for an event?
Tell us the show date and we scope backwards from it. Short pieces move in days, full show scores need longer. If the date is tight, say so in the brief and we will tell you honestly whether it fits.
What does a bespoke track cost?
It depends on length, formats and what is included. Commercial projects typically start around AED 25,000, and one confirmed event usually covers the full production many times over. You get a clear written quote before anything starts.
Do we own the music?
You get a commercial license scoped to your usage, in writing, before delivery. No library terms, no renewals you did not agree to, no other brand running your track.
Can you work from a reference track?
Yes, references are the fastest way to brief us. We compose in that direction as an original piece, so you get the feeling you wanted without the licensing problem. If you already have a stock track you are committed to, we can also enhance it to fit your story and pacing.
Can the music be performed live at the event?
Yes. We work with live musicians who perform the composition in real time, the way a live pianist played along with our piece at the Azizi Monaco launch.
Do you record Arabic voice over?
Yes. Casting, recording, ADR and dubbing in English and Arabic happen in-house, in the same rooms as your mix.
We are not based in Dubai. Does that matter?
No. Briefs, reviews and approvals run remotely, and we have delivered work for AlUla and Qatar this way. You only come to the studio if you want to sit in on the session.
Can you mix for cinema, 5.1 or Dolby Atmos?
Yes. The main mix room is Dolby Atmos certified and calibrated, and we have delivered 5.1 cinema work, including for VOX.
I need to align with my team first.
That is normal for a supplier decision. Send the brief anyway. The direction, timeline and quote we come back with is exactly what you need to put in front of your team.
Visit the studio
Address
MNK StudiosThe Shed, Warehouse 14Al Quoz Industrial Third, Dubai
Give your event its own sound
Send the brief. We come back with a direction, a timeline and a written quote before you commit to anything.
Not sure your budget fits a bespoke score? Send the brief anyway. We will tell you straight what fits and what does not.